Earn Your English Degree on the Coast of Maine
Are you passionate about majoring in English but have been told it will limit your career prospects? Check your fears at the door. UNE’s Bachelor of Arts in English focuses on the highly transferable skills acquired as a student of literature: command of language, analytical skills, critical thinking, and the capacity to understand multiple perspectives. Combined with internships, research, and study abroad experiences, you will be highly valued by many fields that prize people who can communicate well, solve problems, assimilate information quickly, and work well with others.
Why Â鶹´«Ă˝for Your B.A. in English
With faculty specialties in literature and health, law and humanities, creative writing, digital humanities, and more, the English program will expose you to a wide range of topics and genres.
- Flexible curriculum, allowing for double majors and minors
- Unique HuMed program to prepare for medical school while pursuing your passion for English
- Instruction in digital literacies, culminating in the creation of a personal ePortfolio
- Impressive archival collections for research and creative projects
- Opportunity to work as a Writing Fellow in our peer tutoring program
- Intriguing internships
- Study abroad opportunities
What will you study? English Degree Program Curriculum Overview
There are many ways you can navigate the English major.
B.A. in English Courses
The following are some examples of the exciting courses that the English major offers:
- Law and Literature
- Reading and Writing in Digital Environments
- Victorian Monsters
- Writing and Women’s Health
- Fiction Writing Workshop
- Animals, Literature, and Culture
- Lyrics
- Narrative Medicine
Curriculum
CAS Core Requirements | Credits |
---|---|
Total Credits | 42–43 |
Program Required Courses | Credits |
---|---|
ENG 206 – Intro Lit Theory & Criticism | 3 |
LIL 420 – Arts & Humanities Capstone | 3 |
Three (3) credits of British Literature electives | 3 |
Three (3) credits of U.S. Literature electives | 3 |
Six (6) credits of Diversity and Global Literature electives | 6 |
Select one (1) English Concentration | 21 |
Total Credits | 39 |
Open elective courses (as needed to reach 120 credits) | Variable |
Minimum Total Required Credits | 120 |
---|
English Concentration Options
Literature Concentration | Credits |
---|---|
Three (3) credits of U.S. Literature electives or British Literature electives | 3 |
Eighteen (18) credits of electives with at least twelve (12) credits from List A and at least six (6) credits at 300- or 400-level | 18 |
Total Credits | 21 |
Writing Concentration | Credits |
---|---|
Three (3) credits of Creative Writing Foundation courses | 3 |
Three (3) credits of Professional Writing Foundation courses | 3 |
Fifteen (15) credits of electives with nine (9) credits from List C and six (6) credits from List C or List D | 15 |
Total Credits | 21 |
English Education Concentration | Credits |
---|---|
Three (3) credits of U.S. Literature electives | 3 |
Three (3) credits of British Literature electives | 3 |
Fifteen (15) credits of electives with at least nine (9) credits from List A and at least six (6) credits at 300- or 400-level | 15 |
Total Credits | 21 |
Elective Course Options
U.S. Literature Electives | Credits |
---|---|
ENG 200 – Writing, Revolution, & Resistance in U.S. Lit | 3 |
ENG 201 – Who and What is an American? Reimagining US Lit | 3 |
ENG 235 – Topics in U.S. Lit to 1865 | 3 |
ENG 237 – Topics in U.S. Lit after 1865 | 3 |
ENG 310 – Writing & Women’s Health | 3 |
British Literature Electives | Credits |
---|---|
ENG 115 – Poets, Pilgrims & Other Yahoos | 3 |
ENG 116 – Democratizing Literature | 3 |
ENG 216 – Criminals, Idiots & Minors | 3 |
ENG 229 – Topics in Brit Lit Before 1800 | 3 |
ENG 234 – Topics in Brit Lit After 1800 | 3 |
ENG 312 – Global Shakespeare | 3 |
ENG 330 – Topics in British Literature | 3 |
ENG 340 – The English Novel | 3 |
ENG 409 – Storytelling, Literature, Law | 3 |
ENG 420 – Victorian Monsters | 3 |
Diversity and Global Literature Electives | Credits |
---|---|
ENG 135 – Dog Stories | 3 |
ENG 140 – Indigenous Film and Literature | 3 |
ENG 200 – Writing, Revolution, & Resistance in U.S. Lit | 3 |
ENG 201 – Who and What is an American? Reimagining US Lit | 3 |
ENG 202 – Lyrics | 3 |
ENG 204 – Animals, Literature, & Culture | 3 |
ENG 208 – Narrative Medicine & Writing | 3 |
ENG 214 – Freedom & Authority | 3 |
ENG 221 – Justice | 3 |
ENG 235 – Topics in U.S. Lit to 1865 | 3 |
ENG 237 – Topics in U.S. Lit after 1865 | 3 |
ENG 255 – Literary Topics | 3 |
ENG 276 – English Human Trad I | 3 |
ENG 278 – English Human Trad II | 3 |
ENG 301 – Nature Films | 3 |
ENG 310 – Writing & Women’s Health | 3 |
ENG 312 – Global Shakespeare | 3 |
ENG 326 – Topics in Literature & Health | 3 |
ENG 329 – Topics in World Literature | 3 |
ENG 330 – Topics in British Literature | 3 |
ENG 401 – Literatures of the Sea | 3 |
ENG 405 – Topics in Postcolonial Lit | 3 |
ENG 409 – Storytelling, Literature, Law | 3 |
Creative Writing Foundation Electives | Credits |
---|---|
WRT 111 – Topics in Creative Writing | 3 |
WRT 211 – Creative Writing: Poetry | 3 |
WRT 212 – Creative Writing: Short Fiction | 3 |
Professional Writing Foundation Electives | Credits |
---|---|
CMM 110 – Intro to Communications | 3 |
CMM 211 – Introduction to Journalism | 3 |
WRT 233 – Professional & Tech. Commun. | 3 |
Lists A-D Elective Courses
List A Electives | Credits |
---|---|
EDU 498 – Secondary Internship & Seminar | 12 |
ENG 115 – Poets, Pilgrims & Other Yahoos | 3 |
ENG 116 – Democratizing Literature | 3 |
ENG 135 – Dog Stories | 3 |
ENG 140 – Indigenous Film and Literature | 3 |
ENG 200 – Writing, Revolution, & Resistance in U.S. Lit | 3 |
ENG 201 – Who and What is an American? Reimagining US Lit | 3 |
ENG 202 – Lyrics | 3 |
ENG 204 – Animals, Literature, & Culture | 3 |
ENG 208 – Narrative Medicine & Writing | 3 |
ENG 214 – Freedom & Authority | 3 |
ENG 216 – Criminals, Idiots & Minors | 3 |
ENG 221 – Justice | 3 |
ENG 229 – Topics in Brit Lit Before 1800 | 3 |
ENG 234 – Topics in Brit Lit After 1800 | 3 |
ENG 235 – Topics in U.S. Lit to 1865 | 3 |
ENG 237 – Topics in U.S. Lit after 1865 | 3 |
ENG 255 – Literary Topics | 3 |
ENG 276 – English Human Trad I | 3 |
ENG 278 – English Human Trad II | 3 |
ENG 300 – Literary Topics | 3 |
ENG 301 – Nature Films | 3 |
ENG 310 – Writing & Women’s Health | 3 |
ENG 312 – Global Shakespeare | 3 |
ENG 326 – Topics in Literature & Health | 3 |
ENG 329 – Topics in World Literature | 3 |
ENG 330 – Topics in British Literature | 3 |
ENG 340 – The English Novel | 3 |
ENG 397 – Independent Study | 1–12 |
ENG 399 – Independent Study | 3 |
ENG 401 – Literatures of the Sea | 3 |
ENG 402 – Directed Study in English | 1–12 |
ENG 405 – Topics in Postcolonial Lit | 3 |
ENG 412 – Humanities Seminar | 3 |
ENG 420 – Victorian Monsters | 3 |
ENG 491 – English Studies Internship I | 3–9 |
ENG 492 – English Studies Internship II | 3–9 |
List B Electives | Credits |
---|---|
ARB 101 – Basic Arabic | 3 |
ART 124 – The Painted Book | 3 |
ASL 101 – Intro to American Sign Lang | 3 |
CMM 122 – Oral Communication or SPC 100 – Effective Public Speaking | 3 |
CMM 211 – Introduction to Journalism | 3 |
CMM 225 – Topics in Digital Storytelling | 3 |
CMM 290 – Intro to Broadcast Media Writ | 3 |
CMM 410 – Writing for the Screen | 3 |
EDU 436 – Teaching Secondary English | 3 |
ENG 110 – English Composition | 4 |
ENG 209 – Introduction to Linguistics | 3 |
ENG 220 – History of the English Language | 3 |
FRE 101 – Basic French | 3 |
HIS 150 – Telling Tales of the Past | 3 |
HIS 341 – Bestsellers & the Big Bad City | 3 |
LIT 124 – Lit, Nature & the Environment | 3 |
PHI 212 – Thinking Philosoph about Arts | 3 |
SPA 101 – Basic Spanish | 3 |
SPA 306 – Span. For Health Professions | 3 |
WRT 111 – Topics in Creative Writing | 3 |
WRT 211 – Creative Writing: Poetry | 3 |
WRT 212 – Creative Writing: Short Fiction | 3 |
WRT 233 – Professional and Technical Communication | 3 |
WRT 304 – Read & Write in Digital Env. | 3 |
WRT 312 – Fiction Writing Workshop | 3 |
WRT 317 – Proposal and Grant Writing | 3 |
WRT 342 – Writing Fellows Practicum | 1 |
List C Electives | Credits |
---|---|
ART 124 – The Painted Book | 3 |
CMM 211 – Introduction to Journalism | 3 |
ENG 208 – Narrative Medicine & Writing | 3 |
ENG 209 – Introduction to Linguistics | 3 |
ENG 220 – History of the English Language | 3 |
ENG 310 – Writing & Women’s Health | 3 |
ENG 397 – Independent Study | 1–12 |
ENG 399 – Independent Study | 3 |
ENG 402 – Directed Study in English | 1–12 |
ENG 491 – English Studies Internship I | 3–9 |
ENG 492 – English Studies Internship II | 3–9 |
LIL 120 – Intro Arts & Humanities Sem | 3 |
WRT 111 – Topics in Creative Writing | 3 |
WRT 211 – Creative Writing: Poetry | 3 |
WRT 212 – Creative Writing: Shrt Fiction | 3 |
WRT 233 – Professional and Technical Communication | 3 |
WRT 304 – Read & Write in Digital Env. | 3 |
WRT 312 – Fiction Writing Workshop | 3 |
WRT 317 – Proposal and Grant Writing | 3 |
WRT 342 – Writing Fellows Practicum | 1 |
List D Electives* | Credits |
---|---|
ART 395 – Studio Concentration Seminar | 3 |
BUMK 200 – Marketing | 3 |
BUMK 310 – Advertising | 3 |
CMM 110 – Intro to Communications | 3 |
CMM 122 – Oral Communication or SPC 100 – Effective Public Speaking | 3 |
CMM 225 – Topics in Digital Storytelling | 3 |
CMM 240 – Social Media: Theory & Practic | 3 |
CMM 410 – Writing for the Screen | 3 |
ENG 110 – English Composition | 4 |
ENG 334 – Methods of Literacy and Cultural Criticism | 3 |
ENV 316/316L – Land Conserv Pract w/Field Lab | 4 |
ENV 321 – Env Comm: Expert Prac Eco | 3 |
ENV 333/333L – Nature Writers w/Field Lab | 4 |
ENV 334 – Contemporary Nature Writing | 3 |
HIS 150 – Telling Tales of the Past | 3 |
MAF 400 – Marine Affairs Capstone | 3 |
NEU 410 – Neurobiology of Mental Illness | 3 |
NSG 332 – Evidence Based Pract (EBP) I | 2 |
NSG 432 – Evidence Based Pract (EBP) II | 2 |
NSG 445 – Leadership | 2 |
PSY 425 – Adv Methods in Animal Behavior | 3 |
PUB 310 – Social, Behavior & Environmental | 3 |
PUB 400 – PH Planning & Evaluation | 3 |
PUB 420 – Community Health Assessment | 3 |
*Some courses have pre-requisites that may prevent registration
English majors are required to maintain an e-Portfolio that archives their course and other relevant writing which they will deliver in an oral presentation to the faculty during their senior year.
The English Program requires an overall minimum 2.0 GPA in the major.
Students wishing to pursue teacher certification in English should complete a major in Middle and Secondary Education with a concentration in English. Students pursuing this path are strongly encouraged to complete the highly flexible double major with English and Middle and Secondary Education.
For more information, speak with the chair of English and see the Middle and Secondary Education catalog page.
Students majoring in English can participate in the pre-health graduate school preparation tracks.
To learn more about the program visit the Catalog.
Changes were made to this program in an addendum to the 2022/23 academic calendar. Please see the 2022–2023 Catalog Addendum (PDF) for the most recent information. As always, it is recommended that students seek the guidance of Academic Advisors for course and program planning. In this way, you will be able to access all the most up-to-date information available.
Honors Program
We offer qualified students the option of graduating with Honors. This includes significant research, creative, or experiential activity under the direction of a faculty member. Interested students should consult with their advisor.
HuMed
Our HuMed program is the only one of its kind in the U.S., allowing you to indulge your passion for English while preparing for graduate study in our College of Osteopathic Medicine.
Career Paths for English Majors
The unique skill set of an English major is far more sought after than most people realize. As academic training requirements in many fields are becoming increasingly specific, employers are eager to find candidates who are excellent communicators, creative and analytic thinkers, and critical readers.
An English major is a gateway to numerous professions, including:
- Editor
- Filmmaker
- Lawyer
- Librarian
- Physician
- Project Manager
- News Reporter
- Scriptwriter
- Teacher
- Television Producer
Career Advising for B.A. in English Students
Whether you have a specific career goal in mind or a vague idea of the field that interests you, Career Advising is here to help you plan your next step.
English 110
English 110 is our freshman writing course and a rigorous introduction to college-level. English 110 is not an introduction to literature or to the English major. Instead, you will be challenged to rethink your ideas, re-examine your interpretations of a reading, connect texts in provocative ways, and advance written arguments.
Learning Objectives
Demonstrate the ability to approach writing as a recursive process that requires substantial revision of drafts for content, organization, and clarity (global revision), as well as editing and proofreading (local revision).
Students in English 110 learn to read and reconsider their drafts in ways that produce substantive, global revisions of their texts. Additionally, they learn to attend to punctuation, grammar, and spelling in their texts as they edit and proofread, or engage in effective local revision.
Students learn to approach writing as a recursive process in peer review/critique and in work with sample student texts. Peer review/critique and comments on early drafts focus more on global concerns, with more local concerns becoming increasingly important at the proofreading stage in the writing process.
Students demonstrate that they have met this learning objective in their writing. Students whose final drafts on later papers are substantively different from first drafts on those same papers are approaching writing as a recursive process and are engaged in global revision. Students who take care to proofread their final drafts before handing them in are participating in local revision.
Students whose final drafts are simply cleaner versions of earlier drafts, with perhaps a new paragraph inserted somewhere, are probably not approaching writing as a recursive process.
The ABility to integrate their ideas with those of others using summary, paraphrase, quotation, analysis, and synthesis of relevant sources.
Most college-level writing assignments, particularly formal papers, require students to work with other texts, to demonstrate that they have thought about specific material, and to show that they have something to say about it. English 110 offers students concrete guidance (and practice) as they develop greater proficiency in integrating their ideas with those of their sources.
Summary is an important vehicle for distilling a text or for capturing a core element of the text in a brief description. Within a paper, a summary can be a quick, effective way to provide important context for a source before one begins to work with or challenge elements of the source.
Paraphrase and quotation are two essential tools that college-level writers use to help the reader see what their sources have to say about a particular matter under consideration. Effective paraphrase enables the writer to retain full control over the words in his or her paper even as he or she represents a source’s point, idea, or information. Quotation, like paraphrase, offers the reader a representation of a source’s point or idea, though it enables the quoted source to speak for itself.
Taken together, analysis and synthesis contain particular techniques that help students learn to work with one or more sources as they develop their own ideas about an issue. Analysis and synthesis enable the writer to carve out places where he or she can explore new ideas or challenge existing ones.
Students demonstrate that they have met this learning objective in formal writing that includes appropriate uses of these techniques.
Employ techniques of active reading, critical reading, and informal reading response for inquiry, learning, and thinking.
College courses regularly call on students to write in response to texts they have read. In order to be successful in this kind of work, students must become strong readers of texts. English 110 is a writing course that introduces students to the kind of strong reading that can help them find their own ideas about a text or texts.
Active, critical reading challenges students accustomed to a focus on reading for information. English 110 instructors help students become stronger readers by treating reading as an active process of meaning making and not merely an exercise in reading comprehension.
In addition to reading for information or understanding, students in English 110 learn to read as writers. Active readers mark their texts in the margins, take notes, and raise questions as they read. As they read, they locate moments they find particularly interesting or troubling and consider why they are responding to the text in those ways.
English 110 instructors help students develop as engaged readers by providing their classes with pre-reading and reading questions, by inviting students to make sense of relationships between parts of a text or texts, and by moderating focused class and small group discussions of those parts of the texts that students find particularly salient or confusing.
Students demonstrate that they have met this learning objective through their use of reading response techniques and in the ways in which they engage with texts in their formal writing.
Be able to critique their own and others’ work by emphasizing global revision early in the writing process and local revision later in the process.
Writers almost never consider a text finished until it has been reviewed or critiqued by one or more peers. Peer review serves many purposes in the writing classroom and is considered an essential pedagogy because it can provide tremendous potential for growth. Peer review helps students develop a more critical eye as they read their peers’ texts and creates opportunities for students to see their own texts from a reader’s perspective.
Peer review is a vehicle for modeling differences between global revision and local revision or proofreading, and it structures an emphasis on the former early in the writing process. It offers students the opportunity to write for an audience beyond the instructor and to be responsive to comments from members of that audience. And it offers students opportunities to explore active reading and to approach readings of student texts as writers.
Students who engage actively in the peer review process develop a set of generous and critical reading skills that can serve them well throughout college, and beyond. They come to recognize that early drafts generally require substantial revision before they can be considered finished. And they practice reading student texts as supportive readers looking to provide options for a writer. Students in English 110 can carry this experience to other classes as they learn the value of sharing their drafts with a trusted reader.
Instructors in English 110 cultivate students’ competency in peer review by structuring review sessions, creating a trusting environment in which student anxiety around sharing texts is reduced, and modeling global revision in the ways they talk about opportunities for revision in early drafts.
Students demonstrate competency in this learning objective through their contributions in peer review sessions and in their revisions across drafts.
Document their work using appropriate conventions.
One of the most common features of college-level, academic writing is the careful documentation of sources. Documentation style is often considered a basic and mechanical process of following rules established by the MLA (Modern Language Association), the APA (American Psychological Association), or some other organization. In fact, such documentation is central to the kind of intellectual work of the academy.
When students work with texts and enter into conversation with them, they borrow some ideas and words from those texts, specifically challenge some ideas in the texts, and connect or synthesize still other information or ideas from their sources. Effective college-level writers are able to use signal phrasing to integrate the words and ideas of their sources into their own texts and to correctly document their sources.
English 110 instructors introduce students to one documentation style (Modern Language Association) because careful work in understanding how one style functions can help students adapt to other styles. At the same time, instructors emphasize that MLA is only one of the major styles. Instructors treat documentation as a way of marking the boundaries between the writer’s words and ideas and those of his or her sources.
Students demonstrate that they have met this objective in their written work. Their engagement with sources is appropriately documented, and they integrate sources into their texts using signal phrases and parenthetical citations. They correctly identify the kinds of sources they work with and are able to prepare an appropriately formatted Works Cited list.
Control sentence-level error.
Most first-year students have a working knowledge of the English language, and English 110 is not a course in grammar, syntax, or spelling. But control of these important surface features of writing can be difficult as one works on more complex ideas and with multiple texts in a paper. In English 110, students need to control sentence-level errors in their formal, revised writing even as they produce complex texts.
A writer’s audience is less likely to read generously when a paper demonstrates sloppy punctuation or spelling, when it contains errors in subject-verb agreement, or when sentence fragments or run-ons recur throughout the text. English 110 instructors help students understand that proofreading as local revision is the final step in the drafting process. They include targeted, context-specific activities and instruction in those errors most prevalent within a specific section and provide opportunities for students to address those errors in their own writing. Students exiting English 110 generally recognize that even their “final” drafts almost always benefit from additional proofreading.
Most students in English 110 will be able to meet this learning objective if they grasp the presentation value of a formal paper that is error free and if they take seriously the final proofreading process. Students with multiple, severe patterns of error that are not significantly reduced over the course of the term are not meeting this objective and will need to repeat English 110.
Writing Placement
You are placed into the most appropriate writing class in order to maximize your opportunity for success.
Advanced Placement and Transfer Credit
Incoming freshmen scoring 4 or 5 on the Advanced Placement (AP) English Language and Composition exam will receive credit for English 110, a Core requirement for all programs. Incoming transfer students who have acceptable credit for English 110 will likewise meet this Core requirement.
Incoming freshmen scoring 4 or 5 on the Advanced Placement (AP) English Literature and Composition exam will not receive credit for English 110. Instead, they will receive credit for English 199, meeting one of their required Exploration courses.
Placement into English 110
Incoming students who do not have either AP English Language and Composition or transfer credit will be placed in an appropriate writing course (College Reading and Writing sequence, English Composition with Writing Lab, or English Composition) based on a review of multiple measures of their achievement, including high school grade point average and high school English grades.
For more information about placement, including placement challenges, see the Student Academic Success Center’s placement Procedures.
Policies
The policies ensure that you have a relatively consistent experience across dozens of sections and make clear a number of important course expectations.
Attendance
English 110 is a workshop- and discussion-based course that employs collaborative and active learning pedagogies. Students who miss class are not participating in these central elements of the course. For this reason, attendance is mandatory.
Students who miss more than two weeks of classes should not expect to pass English 110, and students who miss more than one week of classes should anticipate a reduction in their final course grade. Instructors in English 110 do not make a distinction between “excused” and “unexcused” absences and do not involve themselves in weighing the merits of an absence.
Students who experience a significant medical or family emergency that requires many absences should be in touch with their instructor as soon as possible. These students may be counseled to withdraw from the course and supported in ways that minimize the academic implications of withdrawal.
Grading
Each instructor establishes the specific evaluative criteria for assignments in his or her section of English 110. Overall performance in English 110 consists of a student’s performance on formal, revised writing, engagement in the writing process, an ePortfolio, attendance, in-class participation, and performance on informal writing assignments throughout the term.
At least 55% of each student’s final grade is based on the formal, revised writing completed over the term. Instructors penalize work that is submitted late or that does not meet the page or source requirements of an assignment. It is not uncommon for a B-level paper to receive a C if it is not submitted on time.
Much of the writing process occurs through informal writing in English 110. For this reason, instructors generally reserve a significant portion of the final course grade for engagement in this aspect of the course. It is common for actively engaged, conscientious students to earn a final course grade that exceeds their performance on formal papers.
Students concerned about their performance in English 110 should talk with their instructor about his or her expectations.
Written Work
Students write for every class. Some of the writing will be informal, occurring in class or being assigned as homework. Other writing will involve the development, drafting, and revision of formal papers.
Students in English 110 produce 15-18 pages of formal, revised writing over the term. Instructors have flexibility in determining the number and length of papers, but students can expect to write three formal, revised papers, in addition to a range of less formal written projects.
Electronic writing environments are an important part of communication in the twenty-first century. Students may also be required to prepare a slide presentation, blog in the course, produce a podcast or short video, or engage with other electronic media. Students in English 110 prepare an electronic portfolio (ePortfolio).
Experiential Learning in the Bachelor’s Degree in English Program
The English major emphasizes real-world learning, providing you with experiences that will set you apart in numerous professional fields. At UNE, we believe in learning by doing.
Hands-On Activities for English Students
- Participate in the creation of student-run publications
- Get on-the-job experience as a peer tutor in our Writing Fellows program
- Conduct research or produce creative projects to present at local, regional, and national venues
- Visit UNE’s DigiSpace to develop digital literacies and create new digital content for your ePortfolio
- Create podcasts
Internships for English Majors
On-campus
- Maine Women Writers Collection
- Office of Communications and Marketing
Off-campus
- Print and Digital Publications
- TV and Radio Stations
- Libraries
- Politicians' Offices
- Law Offices
- Schools
- Museums
- Corporations
For more information email the Academic and Career Advising Center at advising@une.edu.
Beyond the English Classroom
Maine Women Writers Collection
The offers students in English rich opportunities to do advanced research with primary sources as well as to gain experience in archival internships. The MWWC, which holds rare and unique material documenting the lives and writing of Maine women, is housed in a state-of-the-art facility where you can conduct hands-on research and develop your own original projects. You might also take advantage of an archival internship, which would provide you with one-on-one mentoring, experience working with special collections, and practical skills related to library and information science.
The Bolt
. Formerly called The Nor’easter News, the newspaper was founded in 2007 by a group of students that included English majors and a faculty member. As a student reporter or columnist, you might cover campus events and developments or a broad range of other topics of interest to the University community, including national and international affairs, politics, entertainment, the arts, and sports.
Zephyr
Zephyr is UNE’s journal of creative expression. It is more than a literary magazine, as each spring we publish not only selections of prose and verse, but original drawings, paintings, and photography as well. All current and former members of the Â鶹´«Ă˝community are invited to submit their work. As an English major, you might participate in the life of Zephyr by serving on our editorial board, assisting in the submissions review process, or helping to promote and distribute each new issue upon its publication.
Research
As an English student at Â鶹´«Ă˝you have many unique opportunities to pursue traditional literary research as well as to craft projects that reach across the arts and sciences. Recent students majoring and minoring in English have completed research projects on such diverse topics as mapping nationalist stereotypes in Sherlock Holmes stories, creating classroom materials for courses in narrative medicine, and digitizing cultural and scientific materials to enhance sustainability efforts in the Saco River estuary. All were funded by Â鶹´«Ă˝summer grants or NSF grants. Students have presented their research at conferences such as the Northeast Undergraduate Research and Development Symposium, the Maine Women’s and Gender Studies Conference, and the Â鶹´«Ă˝College of Arts and Sciences Undergraduate Research Symposia.
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Bachelors of Arts in English FAQ
What can you do with an English degree?
English is a versatile major for those considering marketing, sales, journalism, science writing, publishing, editing, or teaching. It is also suitable for those considering law school, an MBA, medical school, or another advanced degree.
Graduates of UNE’s English program in Maine have gone on to hold jobs as editors, filmmakers, lawyers, librarians, physicians, project managers, grant writers, news reporters, scriptwriters, teachers, and television producers. Students also have the ability to work with our Academic and Career Advising Center. It doesn’t matter if you have a clear career goal or just a general interest in a field.
How much do English majors make?
An English degree is worth it for many students. English is a versatile academic field offering numerous career paths and opportunities. Your skills can be valuable in any industry that requires effective communication.
When deciding whether or not you should major in English, consider your career outlook. According to the , there's a projected 6% increase in job opportunities within media and communication roles over the upcoming decade. This is the same growth projection as the national average.
Common salary breakdowns for entry-level English major jobs according to * include:
- Copywriter: $45,338
- Reporter: $36,936
- Social Media Coordinator: $38,573
- Paralegal: $41,146
- Editorial Assistant: $38,773
- Public Relations Coordinator: $40,594
- Account Manager: $47,893
- Technical Writer: $53,157
- Fundraiser: $40,357
- Associate Consultant: $69,504
Why are English majors important?
In 2019, the reported that English majors were down more than a quarter (25.5%) since the Great Recession began in the fall of 2008. The article shared how top economists have made the case for why English majors are important — stories matter. The things people communicate with one another can have significant effects on markets and the broader economy. There is now a call for a revival of humanities majors.
Employers rank the skill of being able to verbally communicate effectively with individuals within and outside the company as the most crucial candidate competency. This makes English majors the hot new hires. According to employment data from , English majors have a lower chance of being underemployed after graduation than business majors.
Â鶹´«Ă˝offers English as both a major and a minor. Students are exposed to a wide range of topics and genres.
What do English majors learn?
An English major can help you develop a variety of hard and soft skills including creativity, critical thinking, oral communication, presentation, research, time management, and written communication. The unique skill set of an English major is far more sought after than most people realize. With many fields requiring specific training, employers are actively seeking candidates who excel in communication, creativity, analysis, and critical reading.
At UNE, the English major emphasizes real-world learning, providing students with experiences that will set them apart in numerous professional fields. We center on cultivating the transferable skills gained through studying literature, including strong language command, analytical prowess, critical thinking, and the ability to grasp diverse viewpoints. These skills, enhanced by internships, research, and study abroad opportunities, make you a valuable asset in fields valuing effective communication, problem-solving, quick assimilation of information, and collaborative teamwork.
Learn more about UNE’s B.A. degree program in English, including examples of coursework
How long does it take to get an English degree?
If you’re earning a bachelor’s degree in English, it typically takes four years of full-time study and requires a minimum of 120 credits. There are also two-year, 60-credit associate degree programs in English out there with coursework in literature, interpersonal communication, critical reading, and public speaking that give you a foundation for the rest of your academic journey.
UNE’s B.A. in English program is 120 total credits. Students will complete the College of Arts and Sciences (CAS) Core Requirements, three (3) credits of U.S. Literature elective courses, three (3) credits of British Literature elective courses, open elective courses, six (6) credits of Diversity and Global Literature elective courses, required foundational courses, an arts and humanities capstone, and a choice of tracks in English. Those options are:
- Literature
- Writing
- English Education
View UNE’s Bachelor of Arts in English curricular requirements
Which colleges have the best English degree program for me?
Below are a few factors that you should look for in an English program.
Faculty
What types of instructors will you be learning from and working with?
UNE’s English faculty has specialties in literature and health, law and humanities, creative writing, digital humanities, and more. This ensures students gain exposure to a wide range of topics and genres.
Meet faculty and professional staff in the School of Arts and Humanities
Students also find small class sizes appealing, with Â鶹´«Ă˝boasting a student-to-teacher ratio of 12:1 and an average class size of 20.
Learn more about some quick facts about UNE
Curriculum
Does the curriculum have multiple areas of study to allow you to customize your program and explore your interests?
UNE’s English major has a flexible curriculum, allowing for double majors and minors. The following are just some examples of the exciting courses that you can take:
- Law and Literature
- Reading and Writing in Digital Environments
- Victorian Monsters
- Writing and Women’s Health
- Fiction Writing Workshop
- Animals, Literature, and Culture
- Lyrics
- Narrative Medicine
Students wishing to pursue Maine teacher certification in English should complete a major in Secondary Education with a concentration in English. Students pursuing this path are strongly encouraged to complete the highly flexible double major with English and Secondary Education.
Learn more about UNE’s Bachelor of Science (B.S.) with a major in Secondary Education
Â鶹´«Ă˝prioritizes experiential learning. Hands-on activities include:
- Participation in the creation of student-run publications
- On-the-job experience as a peer tutor in our Writing Fellows program
- Conducting research or producing creative projects to present at local, regional, and national venues
- Visiting UNE’s DigiSpace to develop digital literacies and create new digital content for student’s ePortfolios
- Creating podcasts
On-campus internship opportunities at Â鶹´«Ă˝include the Maine Women Writers Collection and the Office of Communications and Marketing. Off-campus internship opportunities include print and digital publications, TV and radio stations, libraries, politicians' offices, law offices, schools, museums, and corporations.
Learn more about internship opportunities within the College of Arts and Sciences
UNE's one-of-a-kind HuMed program readies students for medical school while allowing them to follow their English passion. HuMed offers enriched curriculum flexibility without acceleration, enabling students to dedicate time and energy to explore aspects of the human condition that aren't attainable through a conventional pre-med route.
Learn more about UNE's HuMed program
Financial aid
Does the school you are considering offer financial aid or scholarships to help you in your education?
A Â鶹´«Ă˝education is very affordable. Our tuition is 16% below the average tuition for private universities in New England. All incoming full-time undergraduate students will receive Merit Scholarships in amounts from $5,000 to $22,000 per year.
Learn more about grants and scholarships available to students at UNE
UNE's Student Financial Services comprises the Financial Aid and Student Accounts offices. Our program optimizes institutional and federal funds. To explore education funding options, contact us at sfs@une.edu or (207) 602-2342 between 9 a.m. and 3 p.m., Monday to Friday.
Location and environment
Is it a collaborative atmosphere where you can learn from, yet be challenged by your peers? What unique opportunities does the campus offer?
Â鶹´«Ă˝provides students with a variety of learning experiences with its three unique campuses; two Maine campuses in Biddeford and Portland plus a campus in Tangier, Morocco that is home to an innovative semester abroad program.
Learn more about study abroad opportunities at UNE
Unique programs beyond the classroom for English majors at Â鶹´«Ă˝include:
- The offers students in English rich opportunities to do advanced research with primary sources as well as to gain experience in archival internships.
- . Formerly called The Nor’easter News, the newspaper was founded in 2007 by a group of students that included English majors and a faculty member. As a student reporter or columnist, you might cover campus events and developments or a broad range of other topics of interest to the University community, including national and international affairs, politics, entertainment, the arts, and sports.
- Zephyr is UNE's creative expression journal. It's more than a literary magazine – each spring, we publish prose, verse, original drawings, paintings, and photos. All current and former Â鶹´«Ă˝community members can submit their work. As an English major, you can engage with Zephyr by joining the editorial board, assisting in reviewing submissions or promoting and distributing new issues.
- As an English student at UNE, you'll find unique chances to explore traditional literary research, creative and professional writing, and interdisciplinary projects. Recent English majors and minors have undertaken various research, funded by Â鶹´«Ă˝summer grants or NSF grants.
Career goals
Does the college or university offer advising to help you determine the right career path based on your interests and field of study?
Â鶹´«Ă˝offers Career Advising to English majors to plan their next step. 93% of bachelor’s degree graduates are employed or continuing higher education within six months to one year of graduating.